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“Rosa D’Imperio, in the role of the conflicted and scheming Abigaille, possesses the real, dramatic soprano voice required for the role and was able to color and savor with aplomb every moment of this difficult score until her very last breaths as she floats a sweet Verdi cantilena”
- Mannheimer Morgen
"Soprano Rosa D’Imperio (Ruby cast), singing the part of ambitious Lady Macbeth, was commanding in voice and in acting. Moving from a whisper to a full forte, D’Imperio showed amazing dynamic control"
- Sydney Boyd / Arts & Culture Texas
"Verdi famously said that he would rather have his Lady Macbeth be terrifying than beautiful, but D’Imperio managed to be both, bringing an awesome vocal technique to the demands of this role, which include some real fireworks, particularly in Act Four.”
- Charles Donelan for The Santa Barbara
“D’Imperio brings dynamic and confident flair to her role as Floria Tosca. She showed moments of comic wit in Act I, offered an elegantly shaded showstopper in “Vissi d’arte”, and injected plenty of emotion into her battles with the evil Scarpia. After losing her lover Cavaradossi to the firing squad, she leaps to her death with aplomb.”
- Kurt Loft, The Tampa Tribune
“Rosa D’Imperio made a compelling Aida, with a fluid range and impressive dramatic communication…”
- Daniel Schlosberg, NY Daily News
D’Imperio’s bell-like voice descends to a dramatic and powerful range, this Aida is mesmerizing. Her projection and her diction are flawless, and her dramatic timbre fits her statuesque body.”“...she is an opera star whose monumentalpresence is matched by her graceful movement.”
- Peggy Ann Bliss, The San Juan Star
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